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Interview 366 – Caption Index: 181

What was going on that made this group important?… Read More

Interview 366 – Caption Index: 182

And what countries were involved with this group?… Read More

Interview 366 – Caption Index: 177

Did you find that most curators were collegial to one another?… Read More

Interview 366 – Caption Index: 178

That they did work or wanted to work well together?… Read More

Interview 366 – Caption Index: 179

The curators, I think, worked very well together. I can bring one example, in Switzerland. As mentioned before, I was curator of mammals and birds and a fellow curator in Bern was curator of birds. And by the way, Klaus Robin was another student of Heini Hediger. And we more… Read More

Interview 366 – Caption Index: 175

How did you exchange animals?… Read More

Interview 366 – Caption Index: 176

In the ’60s, ’70s, it was quite difficult to get in contact with fellow curators. And in fact, in the German-speaking countries, most curators attended the annual meeting of the German Society of Mammalogists. And so we formed the Bamberg Rebels during one of these mammalogy meetings. But, of course,… Read More

Interview 366 – Caption Index: 172

Did you communicate as a curator of mammals and birds?… Read More

Interview 366 – Caption Index: 173

Did you communicate easily with your counterparts in other parts of Europe?… Read More

Interview 366 – Caption Index: 174

How did you share ideas?… Read More

Interview 366 – Caption Index: 169

But at that time, we had a lot of old-fashioned fellows and so we were excluded. So in, I think, 1977, what was later on called, we founded the Bamberg Rebellion, it was in the German Bamberg and we were about seven, eight, nine curators who thought, we should be… Read More

Interview 366 – Caption Index: 170

And I think, in 1991, we were for the first time invited as part of the German zoo directors association. There are still two different memberships. It’s a full membership for directors and associate membership for curators. And the name was retained. There were several trials to change the name… Read More

Interview 366 – Caption Index: 171

Can you explain a little about the connect, how connected at the time you were working at Zurich were the European zoos connected to each other?… Read More

Interview 366 – Caption Index: 166

What was their significance?… Read More

Interview 366 – Caption Index: 167

What was the group able to accomplish?… Read More

Interview 366 – Caption Index: 168

Germany, especially Germany, is a very specific country. The zoo organization in Germany is the oldest worldwide, and it’s called (speak in foreign language). It’s the Association of German Zoo Directors and since this, how it was actually done, it was zoo directors only. But the zoo directors couldn’t produce… Read More

Interview 366 – Caption Index: 164

Lions sleep and rest about 83% of their time. And if this would be shown in the TV, the viewer would sleep after three, four minutes. In the zoo, we try to present a good natural background, but the visitor has the normal behavior. 63% of time lions rest and… Read More

Interview 366 – Caption Index: 165

Why was it important to establish the group?… Read More

Interview 366 – Caption Index: 160

Are there any personalities, like the Hedigers or the Grzimeks that capture a large audience?… Read More

Interview 366 – Caption Index: 161

So a lot of nature productions and we can now get, I think, over 100 programs. And in the time of Heini Hediger and Grzimek, there were two or three TV stations, so it’s totally different. At that time, I think Grzimek had a coverage of 30% or even more. Read More

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