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Interview 366 – Caption Index: 300

And can you explain about a master plan?… Read More

Interview 366 – Caption Index: 301

Well, the master planning in Zurich was done under the directorship of Alex Ruble. And in Frankfurt, I did, I was a head of the team for the master plan. And by the way, I think it was the first zoo master plan in any German zoo in Frankfurt. I… Read More

Interview 366 – Caption Index: 298

And then that’s probably the most important part, that you guide the architect and you tell the architect what is needed. I think Sean de la Croix, who’s a famous agriculturist once said the most dangerous animal in the zoo is an architect. And therefore architects either need to have… Read More

Interview 366 – Caption Index: 299

And when you were doing this master plan, number one, who was the director then, when this master plan was initiated?… Read More

Interview 366 – Caption Index: 295

First you look for what species do you have in the collection already?… Read More

Interview 366 – Caption Index: 296

What species need new exhibits, better exhibits?… Read More

Interview 366 – Caption Index: 297

What species do you want to retain for educational reasons, for conservation reasons, to attract visitors, that’s an important point as well. I think you couldn’t run a zoo just with mallard ducks that looks like a mallard. And then I was always keen to start mixed exhibits for species… Read More

Interview 366 – Caption Index: 292

What was your involvement in putting together the exotarium, the cloud forest for the spectacled bears, the ape house. Read More

Interview 366 – Caption Index: 293

How were you involved there?… Read More

Interview 366 – Caption Index: 294

Well, in Zurich, I was part of the team doing the master plan and then I was part of the team in realization of different enclosures. You mentioned exoterium, which was a difficult building because it contains aquarium terrarium for which Rene Honecker is credited and was responsible and I… Read More

Interview 366 – Caption Index: 289

And so I thought I could use a similar kind of ear notch, just much, much smaller. And so I introduced it in zoos. And Jim Dolan, during one of his visits in Zurich, saw the ear notches. And I made him a drawing and he took it over to… Read More

Interview 366 – Caption Index: 290

Okay. You talked about animal programs that you helped to develop. Read More

Interview 366 – Caption Index: 291

What about the physical buildings and exhibits?… Read More

Interview 366 – Caption Index: 286

Did you use ear notching?… Read More

Interview 366 – Caption Index: 287

Did you, how were you able to identify many of these species?… Read More

Interview 366 – Caption Index: 288

I’m a behaviorist. And nowadays rather conservationist but, at that time, behavior was very important for me. And of course you need to individually know each specimen and, therefore, chips do not help in identifying animals from a distance because when a pair is mating, you cannot capture them and… Read More

Interview 366 – Caption Index: 283

Or do you keep it open, as in all Tanzanian national parks?… Read More

Interview 366 – Caption Index: 284

They are never, ever fenced in. And the fencing in is a very dangerous thing because migrating animals can no longer migrate. For example, we visited the Karoo National Park in South Africa and wanted to see the black wildebeest that occurred there. And when we arrived, there was none… Read More

Interview 366 – Caption Index: 285

Did you, how did you identify animals at the zoo?… Read More

Interview 366 – Caption Index: 280

We imported, the six animals from California and Arizona. And then we bred 50 Arabian oryx, in my time, and offspring born in Zurich Zoo but were sent to Shaumari Reserve in Jordan and to Saudi Arabia. Read More

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