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Interview 2817 – Caption Index: 381

Today, sometimes directors say they are looking for good curators, what do you think the problem is now?… Read More

Interview 2817 – Caption Index: 382

I think the problem is that they come in ’cause it sounds like a pretty good job. And curatorial pay is getting better all the time, but I don’t think they have, I mean, unless they’ve come out of the keeper ranks and they’ve actually worked with the collections and… Read More

Interview 2817 – Caption Index: 376

We talked about getting a yoke back in and the decision was not to because that exhibit was ancient. I mean, it was falling apart and the thought was, it didn’t make any sense to bring in Eagles and put them into an exhibit that had already allowed a fox… Read More

Interview 2817 – Caption Index: 377

Were you there when Dolly Parton donated Eagles?… Read More

Interview 2817 – Caption Index: 378

Those went to the Valley, okay. They didn’t go up the Bird House. No, actually I was off that day, so I didn’t meet Dolly Parton and I was kind of ticked off about their… You we working. Yeah, I was. Yeah. Read More

Interview 2817 – Caption Index: 379

You were instrumental in getting them?… Read More

Interview 2817 – Caption Index: 373

It was a fox. Yeah, but other than that, I was there for the birth of the first Panda that survived, which was, I mean, an incredible thing to be a part of. And I looked back in that and I was heavily involved in all the decisions that were… Read More

Interview 2817 – Caption Index: 374

But in the long run, it worked out. You say, you made good on your promise to bring giraffes back. Read More

Interview 2817 – Caption Index: 375

Did you make good to get some Eagles?… Read More

Interview 2817 – Caption Index: 370

So if you’ve got a job to get position that they’re offering you, I’d be a fool to tell you, don’t take it, stay here.” So when you came in during this time, there was this public reaction or public relations issues, did you have to handle the pressure with… Read More

Interview 2817 – Caption Index: 371

No, it fell on me for the most part. Even my wife told me when that bald Eagle got killed, I made some assumptions that I probably shouldn’t have made as to how it was killed, what killed it. And I mean, it turned out in the long run, it… Read More

Interview 2817 – Caption Index: 372

What was it?… Read More

Interview 2817 – Caption Index: 366

I mean, when I got introduced, I mean, all the keeper staff, everybody was there, and I mean, I had people coming up and saying, “God, it’s so good to see you come back.” Everybody I had not, I didn’t have anybody say, some said, “Why did you come back?”… Read More

Interview 2817 – Caption Index: 367

No, I talked to my staff and told them what was gonna happen. I gave every single curator that was under my responsibility a carte blanche to go out and get animals. I said, “I don’t care how much they cost. I don’t care where you have to get them… Read More

Interview 2817 – Caption Index: 368

And I didn’t even ask them to tell me what they were getting. I said, “I don’t care what you get as long as it fits into the theme of the building and in the collection plans, but just do it and don’t bother me with, is okay, if I… Read More

Interview 2817 – Caption Index: 369

And he was gonna be running Amazonia in the valley and everything else, all which had really complicated water systems to deal with plus the collection too. And that worked out pretty well. Grisham, I had some problems with Jack at points and I think it was just his management… Read More

Interview 2817 – Caption Index: 362

Now, when you came back to the zoo, how did the curatorial staff react to you coming back?… Read More

Interview 2817 – Caption Index: 363

Was there cheers, geers. Yeah. Read More

Interview 2817 – Caption Index: 364

Which ones?… Read More

Interview 2817 – Caption Index: 365

Both, no, there was cheers. Read More

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