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Interview 9511 – Caption Index: 524

When I became a curator at the Bronx Zoo, it was not unexpected for the curator to go in the field, although I guess not very many did to get particular animals for a particular purpose. Those were early days, the late ’50s, early ’60s, and we were interested, I… Read More

Interview 9511 – Caption Index: 521

The World of Birds succeeded the old 19 three bird house on Astor Court at the Bronx Zoo. So it was made the old building was maintained until the World of Birds open. So getting birds for the World of Birds was primarily a matter of transferring birds from one… Read More

Interview 9511 – Caption Index: 522

How did you make it happen?… Read More

Interview 9511 – Caption Index: 519

On another exhibit, we had talked about collecting a little, but how difficult was it to collect birds for the World of Birds exhibit?… Read More

Interview 9511 – Caption Index: 520

Did they come from the wild?… Read More

Interview 9511 – Caption Index: 517

Did this exhibit have a conservation conclusion that you have tried to do then in future buildings that you did, or was this a little earlier in that development?… Read More

Interview 9511 – Caption Index: 518

This was earlier, and the effort here was really to interpret for the visitor the behavior of animals who earn their living at night, because it was so little known. And that in itself, I think helps to build a constituency, excitement, which you can turn into conservation, but every… Read More

Interview 9511 – Caption Index: 515

Are there still animals physically in it?… Read More

Interview 9511 – Caption Index: 516

I don’t know. But it’s an interesting situation because it opened up to the visitor, a whole part of the animal’s world with which they were otherwise unfamiliar. Read More

Interview 9511 – Caption Index: 513

When the building opened, we had lines of people, six people wide extending for 1/2 a mile. The first day it opened, we had 62,000 people that one day, and it remained an extremely popular building. It was not without problems in my opinion. Because it was dark, we had… Read More

Interview 9511 – Caption Index: 514

But the building worked very well indeed. And the building is closed now, you know that. When the zoo, this happened, I guess last year or a year before, the zoo close many exhibits because of cutbacks in its budget. And so they closed that building. They wanted to close… Read More

Interview 9511 – Caption Index: 511

Almost a majority, perhaps a majority of mammals are nocturnal. Most mammals see the world in shades of gray. The World of Darkness at the Bronx Zoo came about as the vision of the mammal curator, in those days, Joseph Davis. And Joe felt that he could exhibit colorblind animals… Read More

Interview 9511 – Caption Index: 512

And he changed all the lights to red in one nocturnal section and put them on a reverse light cycle, making them bright white light at night. The building was so successful and so popular that the World of Darkness as a concept came about and Joe Davis led its… Read More

Interview 9511 – Caption Index: 509

Easy, difficult?… Read More

Interview 9511 – Caption Index: 510

Did it survive the test of time?… Read More

Interview 9511 – Caption Index: 507

Let’s talk about the development of an exhibit called World of Darkness, your initial vision of it, dealing with the board, getting the funds, how did the public receive it?… Read More

Interview 9511 – Caption Index: 508

Getting animals, deciding what they would be?… Read More

Interview 9511 – Caption Index: 505

How did you bring the various thinkers in and the various people who were going to help?… Read More

Interview 9511 – Caption Index: 506

I remember I discussed this with Congo at length, with the exhibits, people, the curators, vets, everybody. I can discuss it again if you’d like, but it’s the same story. Okay. number nine. Okay. (indistinct) answer. Read More

Interview 9511 – Caption Index: 503

What was involved from maybe something, an idea you had seen or carried through to, (indistinct)?… Read More

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