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Interview 16470 – Caption Index: 581

Because you did work for accreditation. Pat felt it was very important. You want your facility to meet the high standards. Even if you’re a little park, even if you’re privately owned, you want your facility to be a first class facility, you want to meet the standards, you want… Read More

Interview 16470 – Caption Index: 580

Why was it important though to be AZA accredited?… Read More

Interview 16470 – Caption Index: 579

Or Wide Oak. Or Wide Oak, yeah. Or probably Fossil Rim. Fossil Rim. Read More

Interview 16470 – Caption Index: 578

Huh?… Read More

Interview 16470 – Caption Index: 577

And it won’t work with people like Mickey Olson or Alex Salisbury, we wanna- Or Wide Oak. Read More

Interview 16470 – Caption Index: 576

Well, the people that were private and the people that were little guys or privately owned facilities or people that just had small collections, some not open to the public, some open to the public, they needed a voice, they needed to be able to communicate together and share information. Read More

Interview 16470 – Caption Index: 575

Yeah, it started in your office, just you decided or you had a group of people. Yeah, I decided. Well, you were the zoo culturalist and somebody in another group. And you had a meeting at our… In our office at the zoo. And we developed an organization called ZAA… Read More

Interview 16470 – Caption Index: 574

How did it start?… Read More

Interview 16470 – Caption Index: 573

How did it start?… Read More

Interview 16470 – Caption Index: 572

Huh?… Read More

Interview 16470 – Caption Index: 571

How did that start?… Read More

Interview 16470 – Caption Index: 570

It became more and more expensive too. I started VAA instead of AZA, I went to ZAA It’s a big organization now, I started that in my office. Read More

Interview 16470 – Caption Index: 569

Well, I was AZA member. And accredited. And accredited. Obviously that was quite a challenge. But AZA began to be a bureaucracy organization to tell you where you’re gonna present in your next animal. What was happening in the network of the guys in that clique got to make all… Read More

Interview 16470 – Caption Index: 568

And how important is it to be active in organizations like this?… Read More

Interview 16470 – Caption Index: 567

Were you involved with the zoo in AAZPA?… Read More

Interview 16470 – Caption Index: 566

Somebody’s gotta make the decision, but you need good leadership for that, somebody who has vision and somebody has got be really committed to follow. Read More

Interview 16470 – Caption Index: 565

Tell me about it. The Zoo Society, one of the problems with it, we had a committee and a committee that designs a horse ends up with a camel, as you know it. Some of the people liked me, some of them didn’t like me. And there was a battle… Read More

Interview 16470 – Caption Index: 564

And did it change over the years?… Read More

Interview 16470 – Caption Index: 563

What was your relationship with the Zoo Society?… Read More

Interview 16470 – Caption Index: 562

Well, you gotta do something that people want to do. If you want to have wine tasting or you want to have mullet fries or you want to get a committee together and have them approach people with money to raise money. But ours zoo was not an non-profit, so… Read More

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