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Interview 22877 – Caption Index: 375

Remember when Disney, how worried we all were when Disney was building Animal Kingdom, what is this going to do to zoos?… Read More

Interview 22877 – Caption Index: 370

And I remember, who was it?… Read More

Interview 22877 – Caption Index: 371

Was it Larry Curtis who told us a story about someone bought a white tiger and someone had bleached the tiger and realized that it was not a white tiger when it shed and suddenly was this yellow tiger. So there’s chicanery in every animal business. With all the advancement… Read More

Interview 22877 – Caption Index: 372

Are zoo animals better off now compared to decades ago?… Read More

Interview 22877 – Caption Index: 368

What’s your philosophy about the exhibiting of white tigers or white alligators?… Read More

Interview 22877 – Caption Index: 369

White tigers came as a presidential gift. I mean, National Zoo, Ted Reed and the white tigers. We had Mohini and so, animals, I mean, people love odd-looking animals. I mean, the white tigers are fascination. And when the Lion House was redone at National, they sent Mohini, and Mohini… Read More

Interview 22877 – Caption Index: 366

You said the keepers feeding didn’t work out or was it not a great idea, the keepers, why?… Read More

Interview 22877 – Caption Index: 365

But for snow leopards and jaguars, we just had iron, round iron exhibits at the outside, so those were all, we reduced the number of animals so those, we kept some of the outdoor exhibits, those round outdoor exhibits as holding areas or shifting areas and they built a new… Read More

Interview 22877 – Caption Index: 367

I think it was, because we had the old exhibit we had basically doors with pans inside and so you could just take the pans out and animals would be shifted out. And we tried to build it into the rock work in the new exhibit and it just physically… Read More

Interview 22877 – Caption Index: 363

It hasn’t worked out that way in practice but, because the Cheetah SSP decided that our indoor facility was not suitable for cheetahs, so cheetahs are now only outside, have an indoor space they go to and they put caracals?… Read More

Interview 22877 – Caption Index: 362

I think the renovation of the feline building worked out really well. The idea was that we would, animals would have both indoor and outdoor facilities. Read More

Interview 22877 – Caption Index: 364

I think they may have caracal now on the inside exhibit. But yeah, that worked out well. We were able to, one thing that didn’t work was everybody loved feeding time at the zoo ’cause the keepers would feed and we tried to build in so keepers could feed the… Read More

Interview 22877 – Caption Index: 360

And, you know, and you haven’t seen. And then things change all the time. Underwater hippo exhibits, you know, that’s, we’re gonna do an underwater hippo exhibit and they built an underwater hippo exhibit, finished it a couple of years ago in Milwaukee. And Bruce had designed it, but it… Read More

Interview 22877 – Caption Index: 359

It’s not like you, oh, we’re gonna do polar bears in two years, what do we need?… Read More

Interview 22877 – Caption Index: 361

In the exhibits that you were part of, what exhibit are you most proud of?… Read More

Interview 22877 – Caption Index: 356

Based on your experience, what is the ideal, if there is one, of zoo exhibit design approach?… Read More

Interview 22877 – Caption Index: 357

What components are important when you’re that doing that?… Read More

Interview 22877 – Caption Index: 358

Well, and basically my approach is basically a museum approach. You need to know, have an overall vision for what it is. And then you just can break it down into segments. And so the my ideal would be to have, you know, if we’re gonna redo the polar bear… Read More

Interview 22877 – Caption Index: 353

You indicated that there were master plans for the zoo, for the Milwaukee Zoo. Read More

Interview 22877 – Caption Index: 354

What was your input in developing a master plan or being involved with that?… Read More

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