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Interview 2817 – Caption Index: 295

And you said you’d worked for many directors, who had the greatest influence on you and why?… Read More

Interview 2817 – Caption Index: 296

I’d have to say Reed, obviously, Bill Conway, I mean, I’d go up the Bronx and I would just be amazed at what he did with that zoo, not only the exhibits, but the collection. I mean, Lincoln Park. Lincoln Park, I kind of looked at it as my favorite… Read More

Interview 2817 – Caption Index: 290

And who was Clint Gray?… Read More

Interview 2817 – Caption Index: 291

I got along with Gray really well, but I mean, as a veterinarian, we had some serious disagreements. And one of the disagreements was that he constantly would come, we’d call him about a problem, and he would constantly come up and then say, “I gotta go back and get,”… Read More

Interview 2817 – Caption Index: 292

He said, “I got to go back and get my stuff.” And I said, “For Christ sake Clint, I told you what was wrong?… Read More

Interview 2817 – Caption Index: 293

Why in the world did you come up to look at what I told you what happened?… Read More

Interview 2817 – Caption Index: 287

So just throwing out a name, Devra Klein, who was she?… Read More

Interview 2817 – Caption Index: 288

Her work. Well, obviously she was an extremely important scientists, especially, I mean, not just for the National Zoo, but worldwide. And aside from her in-depth work on giant pandas. I mean, she did a huge amount of research work on golden lion tamarins. And I mean, she worked really… Read More

Interview 2817 – Caption Index: 289

And I mean, you had to be somewhat delicate in working with her. I mean, she wanted to do something, we tried to get some changes in the panda operation and it took a lot of work to get some of the, keeping pandas together longer or not longer as… Read More

Interview 2817 – Caption Index: 283

Actually the facility in Frankfurt does. Bronx, in fact, I mean, it wasn’t their nocturnal facility, but I was really impressed with how they did the Bird House and just how well they did the naturalistic exhibits in the Bird House. And I retained that when we were looking at… Read More

Interview 2817 – Caption Index: 284

I got a lot of keepers together and they volunteered to do it on their spare time or on their own time. They’d come in and with the exception of the really huge exhibits in the back, all those exhibits would build in house by keeper staff. And I did… Read More

Interview 2817 – Caption Index: 285

Can you tell us a little about these people?… Read More

Interview 2817 – Caption Index: 286

What made them special and how did they contribute?… Read More

Interview 2817 – Caption Index: 280

And in the Small Mammal House were you able to incorporate philosophies that you’ve seen European zoos?… Read More

Interview 2817 – Caption Index: 281

Absolutely. Read More

Interview 2817 – Caption Index: 282

Some of the big ones that come to your mind?… Read More

Interview 2817 – Caption Index: 276

And then bring it back. And Ted did involve a lot of us and he involved me a lot in a number of projects. And in fact, the assistant director or the director for maintenance and facilities, I worked really closely with him. And he had me involved with also… Read More

Interview 2817 – Caption Index: 277

And I know on the gibbon exhibit, I told them I wanted the gibbon exhibit, it was built on it on the level area, right off Olmsted Walk, but there was a huge embankment behind it I said, “I want that exhibit to extend down the embankment so that you… Read More

Interview 2817 – Caption Index: 278

What was your involvement in the Beaver Valley of that project?… Read More

Interview 2817 – Caption Index: 279

The original. And the renovation. The original renovation, I worked with the architects. I work with really closely with the people that did all the rock work, but that was kind of a joint project. I mean, I didn’t have total say over it, but I certainly was involved in… Read More

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