And we realized that 500 people a night is not sufficient. So we said, “Well, then we have to change the concept now. So it has to be rather than loose animals, you can cite them, you have spotlights and stuff.” We said we have to have fixed enclosures, fixed lighting. And you go around in much larger capacity vehicles, trams, and you see animals in enclosures, but don’t see barriers. Lighting has to be very subtle. And so that’s how we started to develop and probably the most important decisions we made on lighting. We got in a young Londoner who’d done son et lumière which is outdoor lighting theater. She happened to be doing something in Singapore at the time called Fragile Forest.
