And so I went to a lunch with Ray and came out with 100, not 100, a million dollar check. And that time I was, of course, walking on air and walking on water with that. And the money from Ray, not only built us the commissary hospital, but there were major funds left over, which applied toward this new Great Ape House. So the Great Ape House came into being, and when it was time to move these animals, that was a logistical medical potential nightmare. How to safely anesthetize and physically move and reestablish the collection that we had at that time of gorillas, chimps, and orangs. And I think that I felt it was important to record this medically for my colleagues around the country, in the zoo world and for just the historical reasons. And so sat down with Bob Carr at that time, the Zoo Society and said, “We have to get some money to do this.” And fortunately the Zoo Society came up with funds, I can’t recall for certain, I think somehow the Sears Foundation may have been one of the major backers of that particular project. And we found a young person named Dugan Rosallini, who was in the film industry.
