We’re a long way from doing it. We’ve done it in some places, but we haven’t yet got Gene Kelly dancing in the rain. On the other hand, we’re beginning to make some breakthroughs. For example, when we did Congo, we made a specific effort, we did a thing I’d been wanting to do for 20 years, to combine a film of the animal in nature with the exhibit in the zoo. To show the animal in the context of its habitat of the human impacts upon its life, which you can’t do in a zoo exhibit very well, and how it’s behaving in nature, and then suddenly bring you to the animal itself. So in one of the most important features in Congo, and I think it will be, and is being widely imitated, when you’re partially through the exhibit, you come to a theater, you go in, you sit down, there’s a big curtain screen and a film comes on and the film is short, 7 1/2 minutes. And it shows what is happening to the forest that the gorilla lives in, and the other animals that are shown in the Congo exhibit. Hornbills and, (clears throat) various primates and birds, colobus monkeys, and you see the forest being cut down, masses of it.
