I think we pretty much talked about that earlier with use the example of how our zoo got involved with the Kemps Ridley and with me with rhinos and with Colette Adams with iguanas, and you find what you can afford. You find what people on your staff have the expertise to participate on a meaningful basis and then you make the time available for them to participate and you raise what funds you can. And that’s the way we have to approach it. A constant complaint sometimes from zoo directors, that there are too few good curators in the zoo community today. As a veterinarian, you’ve worked with quite a few curators. What do you think are the top qualities curators should have today. By the very word curator we’re saying someone that’s in charge of a collection of something. And in order be in charge of a collection of something, you should have a very good knowledge of that collection.
